“Self Portrait with Horn” by Max Beckmann
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An 8 page paper which analyzes the painting Self Portrait with Horn by Max Beckmann. No sources cited.
Filename: RAhornmx.rtf

“September Morn” by Paul Chabas
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A 5 page paper which examines the painting “September Morn” by Paul Chabas. Bibliography lists 1 source.
Filename: RAchabas.rtf

“The Art Spirit” by Robert Henri
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A 4 page paper which examines Robert Henri’s “The Art Spirit.” Bibliography lists 3 additional sources.
Filename: RAartspr.rtf

“The Gulf Stream” by Winslow Homer and “At The Seaside” by William Merritt Chase
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A 9 page paper which examines the paintings “The Gulf Stream” by Winslow Homer and “At The Seaside” by William Merritt Chase. The paper compares and contrasts the two. Bibliography lists 3 sources.
Filename: RAhomer2.rtf

“The Raising of Lazarus” by Rembrandt
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A 2 1/2 page paper which analyzes “The Raising of Lazarus” (1630) by Rembrandt. No sources cited.
Filename: RAremb.rtf

“The Return of the Body of Meleager to Kalydon and “The Indian Triumph of Dionysus”
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A 5 page paper which compares two sarcophagi, both from Rome, “The Return of the Body of Meleager to Kalydon” and “The Indian Triumph of Dionysus.” Bibliography lists 3 sources.
Filename: RAmeleag.rtf

“The Weather Project” by Olafur Eliasson
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A 6 page paper which analyzes and discusses the art piece “The Weather Project” by Olafur Eliasson. Bibliography lists 3 sources.
Filename: RAolafur.rtf

"Madonna Enthroned" Times Two: Cimabue and Duccio.
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(11 pp) One way that art history has been studied is to trace the development of the realistic portrayal of the human form through visual art. We move from the ideal of the Greek physical body, to the early Gothic Christian influence of linear and simple depictions, forward to the beginnings of the Renaissance where once more the human shape starts to develop a realistic identity. Bibliography lists 6 sources and 3 visuals.
Filename: BBcimduc.doc

"Sword And Sheath," "Scholar's Studio" And "Red, White And Blue" - The Color Red
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8 pages in length. The color red in any context indicates strength, power and even defiance; in some cases, it also means a statement about war, conflict and other strife. Compared to all other colors of the rainbow, the color red is symbolic of political, social and religious ideals where a strong statement needs to be made. Within the art world, the color red represents the same indicators, often utilized in such a way as to blend with softer colors in order to temper the strength so prominent in red. Three countries with artists who proudly use red as a reflection of their nations' history are Africa, Korea and the United States, with red being a prominent color in Sword and Sheath, Scholar's Studio and Red, White and Blue. The theme associated with red in each of these works of art illustrates how each artist utilizes the color to represent strong emotional attachment to his or her country. Bibliography lists 9 sources.
Filename: TLCColorRed.rtf

"Veiled Lady"/Pietro Rossi
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A 3 page essay that describes and analyzes the "Veiled Lady," a marble bust by Pietro Rossi (1882). The writer gives a brief background on the work and then describes it in detail before discussing its features. Bibliography lists 2 sources.
Filename: khvelady.rtf

"Vertumnus And Pomona" By Boucher
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3 pages in length. Francois Boucher's artwork is particularly intriguing due in great part to the social and political changes that were occurring during this time period, a metamorphosis Boucher creatively adapted into his paintings. Restrictive devices that heretofore kept a tight leash on what and how artists could craft their talents all but disappeared during this European rebirth, with the likes of Boucher taking every opportunity to display a much more elaborate, whimsical and even daring perspective. The royal court appreciated his unique style as well, having purchased and exhibited several of his pieces. Vertumnus and Pomona oil on canvas from 1757 is a good example of how the French artist establishes a more playful attitude during this era. Bibliography lists 1 source.
Filename: TLCVertumnus.rtf

17thC Landscapes: El Greco & van Ruisdael
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(5 pp.) Throughout Europe, artists were once more relating to the bounty that they considered home. This included their physical home as well as their spiritual home, both were reflected in their landscape paintings. We shall see this in Toledo by El Greco and Wheatfield by van Ruisdael. Bibliography lists 3 sources and 2 visuals
Filename: BBelGvnR

19th Century Images and African Americans
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A 3 page paper which examines how the 19th century images of African Americans reflects their experiences. Bibliography lists 1 source.
Filename: RA19afam.rtf

2 Davids/Donatello & Michelangelo
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A 5 page research paper that contrasts and compares two great works of art -- the "Davids" sculpted by Donatello and Michelangelo. The writer relates these two works to the political situation of Florence and discusses the significance of these works to art history. Bibliography lists 4 sources.
Filename: kh2daves.rtf

2 Dutch Masters, Leyden and Steen
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A 6 page research paper that examines two Dutch paintings, "Twelfth-Night Feast" by Jan Steen (1662), and "Moses and the Israelites After the Miracle of Water from the Rock" by Lucas van Leyden (1527), and discusses the prominent features of both paintings, in terms of what sources indicate about the artist's life and possible intentions in creating each work. Bibliography lists 5 sources.
Filename: khjsalvl.rtf